





The Plate Mansion (Sarayashiki)
Katsushika Hokusai c. 1830s
$19.99
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Details
Originally created in 1831, Katsushika Hokusai's The Plate Mansion (Sarayashiki) is a haunting work from his One Hundred Ghost Tales series, illustrating the chilling legend of a woman condemned to haunt the man who killed her. Her ghostly head rises from a broken barrel, long black hair spilling downward like a dark cascade, while her pale, mournful face glows starkly against a deep indigo night, both accusatory and sorrowful in expression.
Hokusai’s restrained palette of blues, blacks, and whites heightens the supernatural tension, guiding the eye from the spectral face through the flowing hair, which transforms into a spine of blue-and-white plates—a powerful symbol of shattered life and betrayal. Muted green foliage and the jagged barrel edges subtly anchor the scene in reality, while precise linework and deliberate composition blur the boundary between the living and the dead, making the print a profound meditation on guilt, vengeance, and the lingering weight of human tragedy in Edo-period Japan.
Each unframed print is rendered on museum-quality archival paper—a substantial, heavyweight stock with a refined matte finish that exudes understated elegance. Designed for collectors who value versatility, these prints arrive ready to frame in your choice of style or display as-is for a modern, gallery-inspired aesthetic.
- —Archival Paper Stock: Premium 200 gsm (80 lb) heavyweight paper with exceptional depth and presence—smooth, uncoated, and luxuriously tactile.
- —Refined Matte Finish: Non-reflective surface that captures rich, nuanced color while eliminating glare—ideal for any lighting environment.
- —Sustainably Sourced: FSC-certified materials ensure environmental responsibility without compromise.
- —Frame-Ready Dimensions: Sized to fit standard frames or showcase independently for a minimalist presentation.
Crafted to order with meticulous attention to detail—no minimums, no mass production.
About the Artist

Katsushika Hokusai (1760–1849) was one of the most influential and celebrated artists of Japan's Edo period, a master of ukiyo-e whose revolutionary approach to woodblock printing transformed the genre and left an indelible mark on world art. Born in Edo (now Tokyo), Hokusai began his artistic journey as a woodblock engraver's apprentice at age 14, later studying under Katsukawa Shunshō before forging his own distinctive path. Over the course of his extraordinarily long career—spanning nearly seven decades—he explored an astonishing range of subjects, from kabuki actors and courtesans to landscapes, nature studies, and scenes of everyday life, constantly evolving his style and pushing the boundaries of traditional Japanese printmaking.
Hokusai's most iconic achievement remains his landmark series Thirty-Six Views of Mount Fuji, created in the early 1830s, which includes his world-famous masterpiece The Great Wave off Kanagawa—a work that perfectly captures the dynamic tension between nature's power and human presence. His innovative use of perspective, bold compositions, and synthesis of Japanese and European artistic techniques helped broaden ukiyo-e beyond its traditional subjects and influenced generations of artists both in Japan and abroad. Hokusai's impact on Western art was profound, inspiring the Japonisme movement and directly influencing masters like Vincent van Gogh and Claude Monet. Known for his eccentricity and restless creativity—he moved 93 times and used over 30 different artist names throughout his life—Hokusai continued creating art until his death at age 88, leaving behind a legacy of over 30,000 works. Today, his prints are celebrated worldwide for their technical mastery, innovative spirit, and the way they capture both the grandeur and intimate beauty of nineteenth-century Japan.
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